From pet portraits to divine devotion: Vishalia Pillay’s spiritual art journey

AT AGE 44, Johannesburg-based artist Vishalia Pillay has carved out a unique niche in the South African art world, blending her love for animals with a deeply personal spiritual journey through her vivid canvases. 

The Northriding, self-taught professional artist specialises in spiritual art and animal portraiture, a fusion that tells the story of her evolution not just as an artist, but as a seeker.

“My journey with art began when I was just nine. It started as a passion, something I pursued alongside studying graphic design. I worked in that field for 17 years before taking the leap to become a full-time artist in 2018.”

Initially known for her detailed pet portraits and wildlife pieces, popular among South Africa’s animal-loving community, Pillay’s work took a transformative turn in 2023 following an eight-month spiritual retreat in Thailand.

“That trip changed everything. I began exploring devotional art and felt a deep pull toward creating pieces that expressed my own spiritual growth. It was during this time that I truly reconnected with Sanatana Dharma, and it just felt natural to begin painting Hindu deities and stories that resonated with my soul.”

This spiritual expansion led to a significant milestone in 2024: a commission from the Vrindavan Eco Village in Verulam to produce a series of paintings for The New Ahobilam Temple of Protection.

“It was an incredible honour. I felt blessed to have my art play a role in such a sacred space.”

However, the transition was not without challenges.

“I lost a lot of followers when I shifted my focus from pet portraits to spiritual art. My previous audience, which was predominantly white South Africans, did not resonate with the new direction. But the Indian community has embraced my work with open arms, and I’m deeply grateful for that support.”

One of her most moving recent works is a commissioned painting inspired by a scene from the film Mahavatar Narsimha, depicting young Prahlada praying to Lord Vishnu. 

“The client wanted my interpretation of Prahlada’s devotion. The most difficult part was capturing his expression, so full of surrender and faith. When my client saw it, she felt it perfectly captured her vision. That meant everything.”

Pillay said the painting of Prahlada held personal significance. 

“I am at a similar place in my spiritual journey. My Sadhana and commitment to personal growth are intense right now. Even though it was a commission, it became an extension of my own path. That is why it feels so meaningful.”

Pillay is currently working on a series of deity-inspired pieces, each deeply connected to her spiritual beliefs and practices. 

“I am focused on Lord Narasimha in his fierce form and Lord Hanuman as a protector. Next will be Lord Ganesha, Goddess Saraswati, Lakshmi, Durga, and, of course, sweet Lord Krishna. These deities have guided me in different aspects of life, and I want to honour that through my art.”

While she is not creating any specific Diwali-themed work this year, her calendar is full of commissions. 

Despite the emotional weight many of her paintings carry, Pillay finds it hard to pick a favourite. 

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